天才一秒记住【梧桐文学】地址:https://www.wtwx.net
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[88]参见StepheheLedgerontheRhapsody:StudiesiheT’angFu”
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[89]参见GrahamMartinSanders,WordsWellPut:VisioipeteheeseTraditie,HarvardUy,AsiaterfortheHarvard-Yenstitute,2006.
[90]参见RiaidProsodyinEarlyMediaevala”
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[91]参见JosephJ.Lee,Wangg,Boston,Tublishers,1982.中文修订版参见李珍华:《王昌龄研究》,西安,太白文艺出版社,1994。
[92]参见PauliheReadingofImageryintheesePoeticTradition,pp.185-186.
[93]此处应为《广雅》,参见[日]遍照金刚:《文镜秘府论汇校汇考》,卢盛江校考,1382页,北京,中华书局,2006。
[94]PauliheReadingofImageryintheesePoeticTradition,p.174.
[95]参见RiaidProsodyinEarlyMediaevala”
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[96]关于相关的争论背景,参见陈尚君:《〈二十四诗品〉真伪之争评述》,见《陈尚君自选集》,76~87页,桂林,广西师范大学出版社,2000。
[97]StephensieraryThought,p.302.
[98]HerbertAlleoryofeseLiterature,p.179.
[99]LauA.mer-Byng,ALuteofJade:SeletheClassicalPoetsofa,pp.99-100.
[100]参见,“Sele‘TheTwenty-fourOrdersofPoetry’”
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[101]Yoon-wahWong,Ssu-K’ungT’u:APoet-criticoftheT’ang,TheiversityofHongKong,1976,p.33.
[102]YoonWahWong,SikongTu’sShiPin:TranslationwithanIntroduatioyofSingapore,1994,p.9.
[103]TonyBarnstoneandPingChou,TheArt:TeagsoftheeseMasters,p.23.
[104]StephensieraryThought,pp.299,301.
[105]参见Maureeoveyrecious:Ssu-K’ungT’u’sPoetidtheErh-shih-ssuShihP’in”
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[106]参见PaulineYu,“Ssu-K’ungT’u’sShih-P’iheoryii”
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[107]Wai-leungWong,“eseImpressionisticCriticism:AStudyofthePoetry-talk[shih-huatz’u-hua]Tradition”
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[1Fisk,“FormalThemesinMedievaldModereraryTheory:Mimesis,Iy,Figurativeness,andF”
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[109]Hsiao-gHsu,“Talksory[shih-hua]asaFLiteraryCriticism”
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[110]参见Jonathaheoetry’:ThePoeticsofExperieheSungDynasty”
,eseLiterature:Essays,Articles,Reviews,4.2,1982,pp.199-212.
[111]参见JonathanChaves,“KoLi-fang’sSubtleCritiquesory”
,BulletinofSungandYuanStudies,14,1978,pp.39-49.
[112]AdeleAustihodandIntuitioheoriesofHuangT’ing-”
,AdeleAusti(ed.),eseApproachestoLiteraturefromfuciustoLiangch‘i-iversityPress,1978,pp.97-119.参见[美]阿黛尔·里克特(李又安):《方法和直觉:黄庭坚的诗论》,见莫砺锋:《神女之探寻——英美学者论中国古典诗歌》,271~285页。
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